Bucky Barnes + TV Tropes

(Source: troybakering)

asofteravenger:

We’re having a special today.

asofteravenger:

We’re having a special today.

iknownothingsmakingsense:

squeewentthefangirl:

just noticed how ron is rubbing harry’s hair here while his brother rubs his as well and now i’m having head canon’s that ron did it because that’s how his brothers show affection and he thought of harry as a brother and help i am having hp feels

But notice how how (is that Fred or George? Can’t tell from this moment of gif. But no matter) the elder Weasley isn’t just rubbing Ron’s hair, but Harry’s as well. Because Ron isn’t the only one who considers Harry a brother in such a short amount of time. The whole Weasley clan already consider him family.

iknownothingsmakingsense:

squeewentthefangirl:

just noticed how ron is rubbing harry’s hair here while his brother rubs his as well and now i’m having head canon’s that ron did it because that’s how his brothers show affection and he thought of harry as a brother and help i am having hp feels

But notice how how (is that Fred or George? Can’t tell from this moment of gif. But no matter) the elder Weasley isn’t just rubbing Ron’s hair, but Harry’s as well. Because Ron isn’t the only one who considers Harry a brother in such a short amount of time. The whole Weasley clan already consider him family.

(Source: andalesia)

blackhistoryalbum:

Eartha Kitt | 1960s

Quote, “I wouldn’t bother to describe me. I’m Eartha Kitt.”

faun-songs:

dietraumerei:

faun-songs:

some days i just wanna make people sad

"He was a baby once.  He must have been sweet and clean and his mother kissed his little pink toes. Maybe when it thundered at night she came to his crib and fixed his blanket better and whispered that he mustn’t be afraid, that mother was there. Then she picked him up and put her cheek on his head and said that he was her own sweet baby. He might have been a boy like my brother, running in and out of the house and slamming the door. And while his mother scolded him she was thinking that maybe he’ll be president some day. Then he was a young man, strong and happy. When he walked down the street, the girls smiled and turned to watch him. He smiled back and maybe he winked at the prettiest one. […] [T]hey are waiting for him to die. But he don’t want to die. He wants to keep on living even though he’s so old and there’s nothing to be happy about anymore.”

- from A Tree Grows in Brooklyn

is this some form of war declaration??

chanmanthe2nd:

Here we are, don’t turn away now,
We are the warriors that built this town.
Here we are, don’t turn away now,
We are the warriors that built this town,
From dust. 	

Imagine Dragons - Warriors

nosignofwings:

spn meme | 5 side characters [1/5] | ↳ Victor Henriksen

Well, guess what. Life sucks. Get a helmet. ‘Cause everybody’s got a sob story. But not everybody becomes a killer.

nosignofwings:

spn meme | 5 side characters [1/5] | ↳ Victor Henriksen

Well, guess what. Life sucks. Get a helmet.
‘Cause everybody’s got a sob story. But not everybody becomes a killer.
onemuseleft:

ajacquelineofalltrades:

fyeahlilbit3point0:

Hayley Atwell laying waste to the Agent Carter set: A Timeline

One woman wrecking crew

I want to marry this woman.

onemuseleft:

ajacquelineofalltrades:

fyeahlilbit3point0:

Hayley Atwell laying waste to the Agent Carter set: A Timeline

One woman wrecking crew

I want to marry this woman.

(Source: buckywinchesters)

stuckinabucket:

I keep seeing a lot of justifications for the “Peter Quill forgot he had a passenger” thing that boil down to “No, it’s a totally cool way to illustrate that the character’s an asshole!  You know, for character development!” and it’s just like…not really, people.
I mean, yes, that is a way that you can demonstrate a character is a total asshole.  (There are also other ways to demonstrate that same thing that doesn’t come off as an “lol fuck you” directed squarely at half your audience, but that’s a different argument.)  But the problem with that is that otherwise he doesn’t come off as the sort of asshole who’d do that sort of assholish thing.  He’s immature and dysfunctional and venal, yes.  But the first time we get any sort of character scene for him, he’s got a black eye from getting into a righteous-anger fight over a dead frog.  He’s surrounded by what appears to be a loving family in the throes of grief, from whom he’s summarily kidnapped by what turns out to be a gang of space-pirates.
He spends the rest of the film coming off like the sort of person who’s had to play The Functional One for the crew of the HMS Warp Factor Clusterfuck for over half his life.  I don’t know if the repeated comments about eating him were meant to be taken absolutely at face value—there’s an argument to be made for reading them as some seriously fucked-up emotional blackmail rather than a genuine threat—but the dialogue about Yondu killing him if he gets out of line clearly isn’t a joke.  Whatever affection or use the pirates have for him, it’s explicitly not enough to keep him safe from them.  It’s not exactly an accident that the first instinct we see him showing almost every time there’s trouble is to try to smooth things over.
Rocket starts planning the escape from prison, and what happens? Groot straight-up rips something out of the fucking wall right in front of the guards.  Drax engages in some good old ultraviolence.  Gamora comes back with a device that was hardwired into somebody’s nervous system without batting an eye.  Peter…pays a guy a (judging by other sums mentioned) sizable chunk of money in exchange for the thing he needs.  Attempting to beat the dude up and take his stuff never even seems to occur to him.
He tries to talk everybody down when the other inmates are planning to murder Gamora.  He tries to talk everybody down when Rocket and Drax start fighting.  He’s the one who calls the Nova Corps to warn them instead of just showing up with what looks like an invasion fleet.  When Rocket pulls the “I need your prosthetic” thing again, Peter jumps in the middle and shuts it down like he’s apologizing for his racist grandma. 
He comes off like a guy who’s had to invest way too much energy, for way too long, into figuring out how everyone can go home happy and nobody needs to die today.  Like, how many times has he seen some variation on the psychic arrow vs. Kree soldiers scene play out with Yondu because he couldn’t defuse a situation?
Peter Quill isn’t supposed to be a huge asshole. (That would be Rocket, for those of you playing along at home.)  He’s supposed to be a fuck-up who’s figuring out that there can be more to his life than chasing the next thrill, pathologically flouting authority, and dodging his abusive foster-family.

stuckinabucket:

I keep seeing a lot of justifications for the “Peter Quill forgot he had a passenger” thing that boil down to “No, it’s a totally cool way to illustrate that the character’s an asshole!  You know, for character development!” and it’s just like…not really, people.

I mean, yes, that is a way that you can demonstrate a character is a total asshole.  (There are also other ways to demonstrate that same thing that doesn’t come off as an “lol fuck you” directed squarely at half your audience, but that’s a different argument.)  But the problem with that is that otherwise he doesn’t come off as the sort of asshole who’d do that sort of assholish thing.  He’s immature and dysfunctional and venal, yes.  But the first time we get any sort of character scene for him, he’s got a black eye from getting into a righteous-anger fight over a dead frog.  He’s surrounded by what appears to be a loving family in the throes of grief, from whom he’s summarily kidnapped by what turns out to be a gang of space-pirates.

He spends the rest of the film coming off like the sort of person who’s had to play The Functional One for the crew of the HMS Warp Factor Clusterfuck for over half his life.  I don’t know if the repeated comments about eating him were meant to be taken absolutely at face value—there’s an argument to be made for reading them as some seriously fucked-up emotional blackmail rather than a genuine threat—but the dialogue about Yondu killing him if he gets out of line clearly isn’t a joke.  Whatever affection or use the pirates have for him, it’s explicitly not enough to keep him safe from them.  It’s not exactly an accident that the first instinct we see him showing almost every time there’s trouble is to try to smooth things over.

Rocket starts planning the escape from prison, and what happens? Groot straight-up rips something out of the fucking wall right in front of the guards.  Drax engages in some good old ultraviolence.  Gamora comes back with a device that was hardwired into somebody’s nervous system without batting an eye.  Peter…pays a guy a (judging by other sums mentioned) sizable chunk of money in exchange for the thing he needs.  Attempting to beat the dude up and take his stuff never even seems to occur to him.

He tries to talk everybody down when the other inmates are planning to murder Gamora.  He tries to talk everybody down when Rocket and Drax start fighting.  He’s the one who calls the Nova Corps to warn them instead of just showing up with what looks like an invasion fleet.  When Rocket pulls the “I need your prosthetic” thing again, Peter jumps in the middle and shuts it down like he’s apologizing for his racist grandma. 

He comes off like a guy who’s had to invest way too much energy, for way too long, into figuring out how everyone can go home happy and nobody needs to die today.  Like, how many times has he seen some variation on the psychic arrow vs. Kree soldiers scene play out with Yondu because he couldn’t defuse a situation?

Peter Quill isn’t supposed to be a huge asshole. (That would be Rocket, for those of you playing along at home.)  He’s supposed to be a fuck-up who’s figuring out that there can be more to his life than chasing the next thrill, pathologically flouting authority, and dodging his abusive foster-family.